Casting non-Yiddish speakers in Yiddish theater is a tacit admission of defeat.
Without Yiddish speaking actors there can be no viable Yiddish theater.
Training native Yiddish speakers for the stage has become a priority.
![](https://www.newyiddishrep.org/wp-content/uploads/2019/08/Luzer_as_Shlomo.jpg)
![](https://www.newyiddishrep.org/wp-content/uploads/2019/08/Malky_Mira_GOV2.jpg)
![IMG_9550](https://www.newyiddishrep.org/wp-content/uploads/2020/03/IMG_9550.jpg)
![ELIPerson](https://www.newyiddishrep.org/wp-content/uploads/2019/12/ELIPerson.jpg)
![DAM](https://www.newyiddishrep.org/wp-content/uploads/2019/11/DAM-2.jpg)
![NoisheleAsRalph](https://www.newyiddishrep.org/wp-content/uploads/2020/05/NoisheleAsRalph.jpg)
![MiraHeadshot 2](https://www.newyiddishrep.org/wp-content/uploads/2020/05/MiraHeadshot-2.jpg)
![CaraidFrauOks](https://www.newyiddishrep.org/wp-content/uploads/2020/05/CaraidFrauOks.jpg)
![IMG_9550](https://www.newyiddishrep.org/wp-content/uploads/2020/03/IMG_9550.jpg)
![ELIPerson](https://www.newyiddishrep.org/wp-content/uploads/2019/12/ELIPerson.jpg)
Without Yiddish speaking actors there can be no viable Yiddish theater.
Training native Yiddish speakers for the stage has become a priority.